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“Who do you think you are? / Dreaming about being a star?”Īnd then Reynolds answers those questions with audible relish. “Kids were laughing / In my classes /While I was scheming / For the masses, ” Reynolds sings on “Thunder,” stretching his voice like wet taffy. It’s a tale of comeuppance, propelled by snapping fingers, a bass line that works the body like a masseuse’s hands and modulated backing vocals whose squawks are suggestive of warring macaws. “It was a searching record,” he continues. “ ‘Smoke + Mirrors’ was really introspective for me, (there was) self-doubt, doubt about belief, doubt about the world. “I was in a really heavy state of depression for a couple of years,” Reynolds acknowledges. While Imagine Dragons’ previous record, “Smoke + Mirrors,” debuted atop the Billboard album chart and cemented the band as an arena-filler, it also chronicled some serious emotional turbulence. Their 2012 debut, “Night Visions,” stayed on the charts for over two years as the group became the only band in history to have two of the top 10 most downloaded songs of all time (“Radioactive” and “Demons”).īut behind the scenes, everything wasn’t always so golden, especially for Reynolds, whose inner tumult was as pronounced as his outer success. Imagine Dragons’ rise to fame has become the stuff of local lore: Four buddies graduate from living in a small house together, subsisting largely on Del Taco while playing marathon gigs in casino lounges and downtown dives to become one of the biggest bands of their ilk, selling nearly 10 million records in addition to 27 million singles. His words are telling: “Evolve” is defined by an inner and outer radiance, the former newfound and hard-fought. “I don’t think it’s a coincidence that we were working in a studio with lots of sunlight in it,” observes drummer Dan Platzman, dressed in black right down to his fedora.
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In the main tracking room next door, the hot tub has been drained so that microphones can be placed inside to capture the natural reverb, while sunlight pours in from large windows facing a pool. This is the Imagine Dragons’ home base, a west valley house that they converted into a studio, where the band recorded “Evolve” with an array of big-name producers. They’ll all pretty much remain orphans (aside from the gold chain that Reynolds sports during their Billboards performance, this is a largely unadorned bunch).
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Racks of clothes fill the living room adjacent to where the band sits as the group’s stylist pores over her wares, the dining room table flush with an array of shades, ties and other fashion accessories. This means eating, conversing with a reporter and getting ready to go over wardrobe options for the show, all at once. It’ll serve as the unofficial launch of the publicity push leading up to the release of Imagine Dragons’ forthcoming new record, “Evolve,” an album minimalist in sound - at least by these dudes’ standards - and maximalist in confidence.īack from rehearsal at T-Mobile Arena, the band is doing what you do when your day is drawn-and-quartered by numerous demands on your time, each pulling in the opposite direction: multitasking.
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Two days from now, Imagine Dragons will take the stage at the Billboard Music Awards, an array of oscillating blue laser lights fanning out behind them, rows of spit-shined celebrities in front of them, performing to a TV audience of nearly 9 million.Īs frontman Dan Reynolds, tall as an NBA shooting guard, bobs up and down like a buoy in choppy waters, the band will pound out their recent hit “Believer,” which has spent a record-smashing 19 weeks atop the Billboard Top Rock Songs chart and has been streamed over 220 million times on Spotify. The table is set with sandwiches, sunglasses and rock stars who don’t act much like rock stars. Wayne Sermon, left, and Dan Reynolds, of the musical group Imagine Dragons, perform on stage at the Billboard Music Awards at the MGM Grand Garden Arena on Sunday, May 18, 2014, in Las Vegas.